Some new books
Following up on the last blog entry and broadly on the topic of the ‘the future of…’, I just wanted to share the news about a couple of books that came out in 2008. Both of them, while not necessarily scientific per nature, and mostly directed to a wider audience, deal with the “future”, albeit in a different manner. The first book is called ‘Born Digital’ and was written by John Palfrey and Urs Gasser, two people that I happen to know personally and have great respect for. The book deals with the topical issues of understanding how young people who have been born digital tick, what the impact of new media upon the forming of this generation is (and vice versa), and what could we, the digital migrants, do to support this new generation of people. The book is not a one-off product but part of the ongoing initiative of the Digital Natives project of the Berkman Center for Internet & Society at Harvard and the Research Center for Information Law at the University of St. Gallen, so we can expect a range of other upcoming initiatives there.
The reason I mention the book in the ijclp blog might not seem straightforward at first because it has little to do with the existing law. This is however only at first sight - if one cares to look closer, we could see in the last decade that law has expanded vastly and States have taken up more and more measures that more or less directly impinge on the digital media and on the whole information and communication environment. Some of these measures show profound lack of understanding of how young generations share, create and communicate in the digital networked environment. So, this book is timely, and being written in a pleasant and readable style, it might even get in the hands of some policy makers…
The second book I wanted to post a note about is by Lawrence Lessig and considering his ‘celebrity’ status, I will keep it brief. It is Lessig’s new and as announced last book on copyright issues, and it’s called ‘Remix Culture’. It exposes the influence of the aggressive record, film and music lobbies upon the evolvement of the copyright system and how it restricts creative activities. In this sense, the book is a follow-up of Lessig’s previous works, in particular Free Culture. Although in this manner, there is already some remixing within the book, it is still worth reading (and talking about). The book will be available under the creative commons licence some time soon.